A Time to Mourn?

(This article was previously published in Crossway and the Church of England Newspaper.)

A Time To Mourn?
Ros Clarke, Online Pastor for the Diocese of Lichfield

David Bowie. Alan Rickman. Ronnie Corbett. Victoria Wood. Prince. The grim reaper’s star-studded roll call shows no sign of letting up in 2016. According to the BBC’s More or Less programme, this is likely to continue, as the first generations of mass celebrity created by TV and popular music are now reaching their 60s and 70s.

Public response to celebrity death may have been kickstarted by the outpourings in response to Princess Diana’s sudden and violent end in 1997 at the age of 36. Even those of us who didn’t quite understand it were swept along by it. In subsequent years, social media mourning may have replaced the crowds lining streets with flowers, but the depth of feeling continues to be real.

And yet, it is a strange phenomenon. After all, what is there to grieve for a person you did not know?

First, there is always genuine sadness at the ending of a life. Any life. It is a reminder of the broken, disordered world we live in where death holds sway. This is particularly true for those who die before their three-score years and ten. So, it’s right that we should mourn the death of a celebrity as much as we should mourn the death of a nameless refugee.

Second, I wonder if for many of us, this grief is compounded by a sharpened awareness of our own mortality. Celebrities can become Dorian Grays, showing a youthful public appearance which hides their aging or their illness. It’s only in death that we are confronted with their mortality. And, therefore, ours. If the artists we listened to as teenagers are now 60 or 70 years old, how old does that make us? If the beloved TV presenters of our childhood are dying, how soon will it be our turn?

Third, of course, there is a real sense of loss for the work that person produced. Artists – whether in music, words, comedy or paint – teach us how to be human. They have a profound influence on us and inevitably we will be sad when their work comes to an end.

So there is grief and there is loss, and very often it will feel as though the right way to honour someone in their death will be to share that with others. These are people we knew publicly and so we will want to mark their passing publicly too.

But we must not confuse the sadness and loss we feel at the death of a celebrity with the kind of grief which follows the death of someone we truly knew and loved. For all we might have been profoundly influenced by someone’s work, we did not know them. We did not love them, but the work they produced.

Whenever we are saddened by the death of a celebrity, we need to remember those who are mourning them as a beloved family member, partner or a friend. Their grief is deep and significant in a way that ours is not. Similarly, we must not overshadow the grief of those who are mourning someone who was never famous. Their loss of a loved one is more profound than ours for any celebrity figure.

So let’s be careful and thoughtful in our responses to the deaths of public figures. Let’s not make ourselves into the chief mourners. Let’s not use the same language we would in a situation of personal grief. Let’s acknowledge our sadness and use it as an opportunity to reflect on our own mortality. Let’s remember that death is real and urgent and take that as a reminder to proclaim the good news of the Lord Jesus. Let’s preach as dying men and women to dying men and women.

Living in a foreign land

 

 

 

 

Thirteen studies for small groups on Exodus 1-15.

The book of Exodus continues where Genesis left off: with the Israelites living in Egypt. But where they were once favoured guests, they are now enslaved immigrants. The first fifteen chapters of Exodus tell how God rescued his people out of Egypt, despite their lack of faith, their inadequate leaders, and the best efforts of Pharaoh to prevent them. These chapters are among the most significant in the Old Testament for demonstrating God’s saving nature and explaining the way in which true salvation will come through Christ.

These Bible studies are intended for use in small groups wanting to explore the riches of the Old Testament, to see how it is fulfilled in Christ, and to recognise the demands of God on our lives today.

 

Download the studies here.

Advent 2017

I’m planning a new series of Advent daily Bible readings this year, working through the minor prophets. These will be quite long – 3 or 4 chapters most days – but I think it’ll be a fantastic way of looking forward to the Lord’s return as well as preparing to celebrate his first coming.

I’m also going to do the 36 pictures in my colouring Bible that go with these 12 books. More than one for every day, hooray! I’ve just cast on for this year’s Advent scarf, ready to begin the actual knitting on December 3rd. That’ll give me an hour or so every day to sit down, without the TV on, without worrying about other stuff to do, to read God’s word and reflect on it.

If you’d like to join me, the readings are:

Advent 2017 in the minor prophets
3rd Hosea 1-3
4th Hosea 4-7
5th Hosea 8-10
6th Hosea 11-14
7th Joel
8th Amos 1:1-3:12
9th Amos 3:13-6:14
10th Amos 7-9
11th Obadiah
12th Jonah
13th Micah 1-3
14th Micah 4-5
15th Micah 6-7
16th Nahum
17th Habakkuk
18th Zephaniah
19th Haggai
20th Zechariah 1-4
21st Zechariah 5-7
22nd Zechariah 8-11
23rd Zechariah 12-14
24th Malachi

There’s a printable version here. Feel free to photocopy and share as widely as you like.

Instagram

I recently set up an instagram account which I’m using for my OCA art and also some Bible journalling. You can follow me @ros.clarke if you’re interested. I’m much more likely to update regularly there than I am here.

Here’s a few recent images to whet your appetite:

 

 

 

 

 

 

 

 

 

 

 

Bible journalling:

Itinerary

I’m having a few days in London next week, and for the first time in ages, it’s not about seeing people but things.

On Monday, I’m going to Tate Modern to see the Georgia O’Keefe exhibition. I also plan to see The Smile and a couple of the other London Design Week exhibitions on the Southbank.

Tuesday is the V&A for more from London Design Week, and Undressed – an exhibition of lingerie. Then I’m going to see exhibitions by Pietro Seminelli and Abdoulaye Konate. I’ve booked in for afternoon tea at Fortnums at 6pm. That’ll be dinner sorted, then.

On Wednesday, I’m going to try to get to the Geffrye Museum in the morning, and then out to Hampton Court for a guided tour of an exhibition at the RSN.

And finally, on Thursday morning, I have a ticket to watch a recording of Pointless!

I’m not going to do any cooking. I’m not going to any meetings. I’m not making plans to catch up with anyone. And if I don’t get to all the things I’ve planned, that’s totally fine.

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